![]() “Let it be known, I do not support or approve of. It appears that Prism Circuits produces these products without a license: Prism Circuits is also currently working on other systems with different configurations Serge Tcherepin Statement For those who find that too much there is also the possibility to make them in DIY. However, the whole thing is not cheap at all. Thus you can route out your audio without an extra interface module.Ī beautiful instrument that also sounds very fat. It includes a power supply input as well as an audio output. The sections are built in a 2 panel slim wooden powered boat specially designed for this new system. Known under the name paper face modular system and today as Serge Modular. ![]() They take the circuit concepts and adapt them to the paperface design created by Serge Tcherepnin in 1973. However, it is not a 1 to 1 replica or clone of it. Mainly from the building blocks of the Buchla Music Easel. The Canvas System is a standalone “modular” Synthesizer with different elements like oscillators, a waveshaper, a filter, and more.Īccording to the developer, the Canvas System takes inspiration from the early days of the “west-coast synthesis” philosophy. The first system from the new company Prism Circuits focuses on the principles from the west side. There is east but also west coast synthesis. Its price is an additional advantage, as well as the availability of a free Reaktor Player.The Canvas System is Prism Circuits’ modern take on the paperface modular synth from Serge Tcherepnin from 1973. On the other hand, if you are looking for percussive, bright, metallic or even cold sounds, or for a tool that makes you rethink sound synthesis, Prism will certainly win its place among your favs. ![]() It’s a pity… However, this kind of sound synthesis has a very special sound signature: if you want rich pads, twangy brasses and percussive basses, you should look for another tool. On the other hand, compared with Structure and its rather abstruse and absolutely unfriendly user interface (its advantage is that it is included with Logic…), Prism is much more simple and well-rounded.īut it has a big con: it’s almost impossible to use this synth for live applications or to control program changes from a sequencer because switching between presets generates lots of sound artifacts: echoes continue sounding without a consistent pitch, noises of all sorts. When compared with the concurrence, Prism places itself in middle of it all: it is not comparable with a Tassman, which is quite logical considering that the Prism isn’t aiming at the same market segment. However, experimentation is not forbidden, quite the contrary. Obviously, the synthesis requires a learning curve and the creation process is not the same as with an analog or virtual analog instrument: this synth is intellectual rather than intuitive. I don’t include the DX7 because effects can play a crucial role in sound design.Īlmost paradoxically, Prism is also very powerful at creating “unreal” ambiance sounds because it confers them a real-life touch, even though I expected pure abstract tones. ![]() However, I found a lot of sound colors that are typical for FM synthesis, which I could create very easily with my SY99, without having to use the attack samples, or even with an FM7/FM8. wooden percussions or instruments made out of materials that don’t resonate to much. I must admit that I liked especially the tonal percussions that don’t have excessive brilliance, i.e. The synth gives excellent results for bell, percussive, metallic, wooden, and stringed instruments. ![]()
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